Chak De India review in Indian media

Hello hockey, hello hope
Khalid Mohamed in Hindustan Times
Rating:***1/2

Milk shake, rattle and roll. Sporty girls are bashing up a bunch of eve-teasers in a fast-food restaurant. The hockey coach doesn’t intervene, whips on his dark glasses and smiles lightly. His girls have scored a hit.
Cheers for Chak De! India, which may be predictable but compels you to root for a team of losers whom only an earth-angel can save from disastrous defeat. Written by Jaideep Saini and directed by Shimit Amin, this inspirational effort echoes Hollywood’s Hardball, The Replacements, and Escape to Victory whose influence has already been evidenced in Lagaan.
But what the hell? If a story is retold with varying riffs, a sliver of imagination and sufficient skill, just chill.
Over to Kabir Khan (Shah Rukh Khan), the disgraced captain of the Indian hockey team, who’s out to redeem himself after seven years of vanvas. He lands the assignment, just by a whisker, of coaching the raggedy Indian women’s hockey team. So far, so hopeful.
The 16 girls from various states are a mess – either too raw or too cocksure. Begins the training which does get far too protracted, what with the girls snarling, whining and ready to tear one’s eyes out. Slowly but surely, Khan makes them understand their strengths and above all, their Indianness which alone can get them to the winning goal.
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Shah Rukh leads hockeybabes to glory
Raja Sen in Rediff.com
Rating:***1/2

The prodigal Khan returns.
Chak De! India is the basic, every-single-sports-movie story of a disgraced player, here called Kabir Khan, pulling together a team of misfits to do the impossible -- here winning the World Championship.
This is also a return to glory for Shah Rukh Khan, the superstar doing excellently as he tackles a cast with (almost) entirely deplorable acting chops and makes you believe. Director Shimit Amin shoves a hockey stick into the actor's hand, and -- fitter than he's looked in years -- Khan flies across cinematic AstroTurf, and shines.
Stop looking up Miracle, A League Of Their Own or The Mighty Ducks DVDs -- it's a straight sports film, and you walk into the theatre knowing how it's going to turn out.
We start, of course, with the fall. Kabir, India's most successful Centre Forward of all time, flubs a crucial penalty and is castigated by his nation -- an Islamic last name and a meteoric temper make for a media-unfriendly mix -- as Pakistan win the cup.
Thus surrounded by awful actors, Khan bids farewell to his beloved sport, even as insufferable little kids clamber onto shoulders to get a better look at the traitor. Insert typically strained background music here, and you're wincing for both Khan and the film.
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It's all about loving hockey
Sarita Tanwar in Mid-Day
Rating:***

What’s it about: Feel-good, emotion-stirring tales of victory — it’s almost a genre in Hollywood. Back home, you seldom find films based on sports.Nagesh Kukunoor’s Iqbal flirted with a new trend and Shimit Amin takes the effort on a much lavish platform. But while Iqbal was about personal triumph, Chak De! India highlights the significance of team spirit. Kabeer Khan (Shah Rukh Khan) misses a penalty shot and loses the hockey World Cup final to Pakistan.Angry spectators and the media label him a traitor and accuse him of match-fixing. Unable to bear the humiliation, Kabeer returns to his ancestral home to restore his sanity. Seven years later, he returns to his favourite sport, this time with the dream of getting the neglected Indian women’s hockey team to win the World Cup. He manages to become the coach against all odds. He fights for his team; his team fights with him and battling all adversities, together they embark upon a mission almost-impossible.
What’s hot: The film begins well and establishes its intentions in the first reel itself. It’s clearly all about loving the game. Although one would’ve liked to see a little more of Kabeer and the team’s background, the director makes up for it with his inspiring narrative. No loud melodrama, no unnecessary romantic angle for the protagonist and no excess baggage in terms of futile characters, Shimit stays true to his subject and that’s commendable. The second half of the film is exceptional; it has all the edge-of-the-seat moments you’ve been craving. Besides the final tense moments, the scene where the girls beat up guys at a restaurant is super. All the new girls deliver what’s expected, but Komal Chautala and the angry girl from Punjab stand out.But, of course, the star of the film is Shah Rukh Khan, who rocks it right from the first frame. This is yet another addition to his illustrious line-up of work after Swades and KANK. The actor breathes fire into his character; it’s Kabeer that stays with you long after the film is over. It’s Rock De! SRK all the way.
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Shah rukh hits a goal!
Mayank Shekhar in Mumbai Mirror
Rating:***1/2

This film is almost entirely in its exquisitely mainstream yet intelligent piece of screenwriting (Jaideep Sahni). It's then about inspired pieces of casting (and acting thereby). Sixteen carefully selected but relatively raw players from different parts of the nation make up the Indian women's hockey team. They're the sorts, the administrators munching biscuits in their boardroom believe, should rather play the 'belan' in the kitchen. As region-specific selections go with Indian sports, members of the team come from everywhere: the tribal belt of Jharkhand, to the untouched hills of the North-East, to the richly chic environs of small and big cities. Nothing unites them but the colour of their sports jerseys. Put together on paper, they are unlikely to match skill and speed with a European school squad. On the practice field, they appear a bunch of uncontrollably nutter hooligans. The team also shares a coach that pretty much no one can stand (Khan). The coach has an immediate task at hand, the World Championship. He also has a wider point to prove.
This is perhaps the first film since Ashutosh Gowariker's Swades where Khan truly portrays a character (even if largely undefined beyond his given profession). He is Kabir Khan, a former India captain, fallen from grace. He desperately needs to settle the public humiliation of a lost penalty shot against Pakistan at a World Championship final. The central plot, it is said, is loosely based on one, Mir Ranjan Negi, the disgraced Indian goalkeeper, who conceded 7 goals against Pakistan at the '82 Asian games. This had led to speculations over his intent then. He had trained the national women's team to a Commonweath gold later. The premise is roughly retained. Talking of the protagonist again, or actually his name, this is also the first Yash Raj product since Kabir Khan's Kabul Express (last year) that truly sticks to sense and sensibilities of a story-line. A loser-coach with a losing team that teaches us the finer art of winning is an established Hollywood genre. You could think up a laundry list of films that make up the variety: Wildcats, Young Blood, Hoosiers … (Prakash Jha's Hip Hip Hurray is the best Bombay effort that comes to mind).
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